Abhivyakti Edition-6 continues to draw enthusiastic audiences for intriguing performances

Ahmedabad, Nov 29, Abhivyakti – The City Arts Project, an endeavor of UNM Foundation of Mehta Family’s Torrent Group, on Friday drew a large and enthusiastic audience to thought-provoking performances in the art genres of dance, music, theatre, and visual arts.
According to UNM Foundation, ‘Art admirers across age-groups attended a series of repeat performances in dance, music, and theatre, which had been showcased earlier in the week. The repeat shows were received with great enthusiasm, and response highlighting the Ahmedabad’s art community’s appreciation for the diverse range of talent on display.’
On Friday, Indian classical musician Mehul Prajapati premiered his flute performance on Platform stage at Gujarat University. The event drew significant attention, offering a mesmerizing experience that resonated deeply with the audience.
Hindustani Shastriya Bansuri player Mehul Prajapati gave a Platform performance of ‘Sangeetyatra (swar)’ offering a captivating journey through the evolution of music, spanning centuries. Through his careful selection of Swaraas, soulful compositions and a variety of instruments which were representative of each era, Mehul gave the audience a walk-through in time. This performance showcased rich tapestry of Hindustani classical music, highlighting its diversity and development over time. Through his masterful Bansuri playing and insightful selection of musical elements, Mehul provided a unique and enlightening experience for music enthusiasts.
Visual Arts Installations: Through her art installation titled “Unforeseen” Ashlesha Ravariya, invites viewers into a world of ceramic reflections. Her latest series delves into the concept of time, capturing life’s surprises and unpredictability. Each piece is a personal narrative, a frozen moment that invites introspection. Ashlesha believes her art offers a glimpse into the ever-changing nature of existence, encouraging viewers to connect with their own experiences and the passage of time.
A Delhi-based visual artist, Kapil Jangid has delved into themes of migration, architecture, and urbanization through his work. His art installation “Sahar Jana (Going to city)” Jangid presents concrete murals that serve as sculptural documentation of his hometown. These works delve into the theme of migration to urban settlements, exploring the dualities between rural origins and urban destinations. Using cement as a key material, Jangid aims to highlight its significance in shaping contemporary Indian environments. The artist believes that cement, a ubiquitous element in both urban and rural architecture, symbolizes the growth and expansion of cities and towns. By incorporating cement into his artwork, Jangid takes the audience on a journey through the narratives of displacement, migration, and the ongoing transformation of spaces in India.
Biplav Nayak presents a thought-provoking installation titled “See See TV”. This piece, designed to track the movements of visitors, aims to evoke a sense of unease, mirroring the pervasive surveillance that characterizes our modern world. By following the viewers’ every move, the installation creates a playful yet unsettling atmosphere, inviting the audience to engage with the concept of being constantly watched. Nayak believes that this interactive experience will encourage viewers to reflect on the nature of surveillance and its impact on human interaction.
The audience entry is open-to-all on ‘first come, first served’ basis. The programme schedule for the Pre-event is as follows: